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Adrian Chan, amateur film critic and film theorist, on films and movies and analysis...There's more to see if you use your head. I attempt here to apply film theory, criticism, and analysis to my personal favorites. Favorite film directors include Andrei Tarkovsky, Bela Tarr, Werner Herzog, Wong Kar Wai, Paul Thomas Anderson, Stanley Kubrick, Harmony Korine, Steven Soderburgh, Orson Welles, Krystof Kieslowski, Federico Fellini, Peter Greenaway, Beat Takeshi and many more

Saturday, June 08, 2002

I love watching The Matrix. Almost as much as I love to watch Bladerunner. I used to think I enjoyed the Matrix for the action sequences. Bladerunner—I prefer the director’s cut because it doesn’t any voice-over—I like for its mood. But if I’m really honest with myself, I’d have to say that I like the Matrix for one gesture in particular: the way the lead agent says “Mr. Anderson” when he’s addressing Keanu. These crystalline moments appear in films every now and then. I suspect they’re sounds as often as they are images. Brando in Apocalypse Now saying (and as if to validate what I’m getting at, it’s played back on tape) “like a snail on a razor’s edge.” Eastwood saying “Do you feel lucky, punk?” In Star Wars, the everlasting: “Luke, use the force.” Are these created for us intentionally, to serve as hooks upon which a film might be hung forever after? I doubt it. Where do they come from? The pen of the scriptwriter? A fortunate minute of shooting? Actors doing what they do best? Strange, this, that so much can come of so little, and that it can develop such a grip on audiences that one small gesture can guarantee a film longevity beyond its years. Now that I think about it, I do know why I like Bladerunner. “Time to die.”

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